Description
The composition Fluentem Gravis (Latin) is largely based on idealistic and characteristic accompanimental ideas that vary between and make use of:
(1) ‘standard’ arpeggio figures (which expand),
(2) di-chords/dyads,
(3) and variations on Alberti bass.
The use of these compositional figures aims to create, as the name suggests, a sense of ‘flowing’ motions. Conversely, the composition fluctuates between the ‘open’ position and ‘closed’ neck positions that a lute instrumentalist would be accustomed to using – as these open positions are more resonant and allow for more precise dynamic control.
By way of performance suggestions, it would be best to apply and make use of terraced dynamics (to emphasise an ‘abrupt’ flowing between different registers). Additionally, the beginning of the composition can be played using a tasto position (to emulate the sound of a cello) and the positioning of ponticelli (close to the bridge) can be used in measure 16-20 (rehearsal marking [B]).
Conversely, it is important to note that the di-chords/dyads presented in measured 16-18 and 26 acts as ‘linking’ sections and can be emphasised dynamically and dramatically.